Portrait of Alphonse Hennet De Goutel (1846) by Jean Auguste Dominique Ingres

Portrait of Alphonse Hennet De Goutel - Jean Auguste Dominique Ingres - 1846

Artwork Information

TitlePortrait of Alphonse Hennet De Goutel
ArtistJean Auguste Dominique Ingres
Date1846
Art MovementNeoclassicism

About Portrait of Alphonse Hennet De Goutel

The artwork “Portrait of Alphonse Hennet De Goutel” was created by the esteemed artist Jean Auguste Dominique Ingres in the year 1846. This piece is grounded in the Neoclassicism art movement, a genre known for its revival of classical styles and themes. This particular work is a portrait, a genre that focuses on depicting the visual appearance of the subject.

Upon examining the artwork, one observes the full-length figure of a gentleman presented with a certain formality and directness. The subject stands with a slight turn, regarding the observer with an engaged but self-contained gaze, which is characteristic of portrait artistry from the era. His attire is representative of the mid-19th century fashion, consisting of a tailcoat and waistcoat with a high collar shirt and necktie, captured in meticulous detail that betrays a careful study of the textures and forms of the clothing.

There is a decided confidence in the man’s stance, one hand casually tucked into his trouser pocket while the other lightly grasps what appears to be a pair of gloves, an accessory that might allude to the sitter’s social status or the context of his daily engagements. The drawing employs a monochromatic palette, utilizing what seems to be graphite or a similar medium, allowing for a range of tones that gives volume and depth to the figure. The creases and folds of the clothes, as well as the precise delineation of the facial features, suggest a meticulous attention to detail that is rather typical of Ingres’ technique.

The artist has chosen to depict the character of Alphonse Hennet De Goutel with a sense of immediacy and personality, an approach that imparts a lifelike quality to the drawing. The backdrop is minimal, ensuring that the viewer’s attention remains squarely on the figure depicted. Finally, the inscription at the bottom of the artwork presumably provides information about the identity of the sitter or is a dedication from the artist.

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