Portrait of Anne Marie Louise Thélusson, Countess of Sorcy (1790) by Jacques-Louis David

Portrait of Anne Marie Louise Thélusson, Countess of Sorcy - Jacques-Louis David - 1790

Artwork Information

TitlePortrait of Anne Marie Louise Thélusson, Countess of Sorcy
ArtistJacques-Louis David
Date1790
Mediumoil,canvas
Dimensions129 x 97 cm
Art MovementNeoclassicism
Current LocationNeue Pinakothek, Munich, Germany

About Portrait of Anne Marie Louise Thélusson, Countess of Sorcy

The artwork titled “Portrait of Anne Marie Louise Thélusson, Countess of Sorcy” is a work of neoclassical portraiture by the renowned artist Jacques-Louis David, dating to 1790. Executed in oil on canvas, the dimensions of the piece measure 129 by 97 centimeters. This quintessential example of neoclassical artistry is part of the collection housed at the Neue Pinakothek in Munich, Germany. It is a formal portrait that captures the essence of its time and reflects the aesthetic sensibilities of the late 18th century.

In the artwork, Anne Marie Louise Thélusson, the Countess of Sorcy, is presented with a sense of poised elegance. Seated, she adopts a dignified posture that conveys her status and refinement. Her gaze meets the viewer directly, exuding a quiet confidence. Her facial features are delicately rendered, suggesting a softness that balances the formality of her pose.

The Countess is adorned in a classical gown which drapes gracefully around her figure, enhancing her noble bearing. The fabric of her dress is rendered with meticulous attention to texture and light, demonstrating David’s masterful skill in portraying different materials. The subtlety of folds in her attire adds depth and realism to the composition.

The palette of the artwork is subdued yet sophisticated, with a harmonious interplay of soft creams, warm pastels, and touches of vibrant patterns, such as those seen in the border of her dress. This range of colors underscores the neoclassical predilection for clear, luminous tones, as opposed to the heavier palettes of previous art movements.

David’s use of light and shadow imbues the portrait with a three-dimensional quality, creating a lifelike representation of the Countess. The background, while unadorned and minimalistic, complements the subject, directing the viewer’s focus onto her figure and face.

Overall, the portrait is a testament to Jacques-Louis David’s ability to capture both the personality of his sitter and the aesthetic ideals of Neoclassicism, creating a work that is both timelessly elegant and historically rich.

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