Portrait of E.G. Mamontova (1879) by Ilya Repin

Portrait of E.G. Mamontova - Ilya Repin - 1879

Artwork Information

TitlePortrait of E.G. Mamontova
ArtistIlya Repin
Art MovementRealism

About Portrait of E.G. Mamontova

The artwork “Portrait of E.G. Mamontova” was crafted by the renowned artist Ilya Repin in the year 1879. Belonging to the Realism movement, this portrait is a representation of personal identity and character captured through the medium of fine art. The artwork genre is aligned with the traditional approach of portraiture, wherein the essence of an individual’s visage and demeanor are recorded in a moment in time.

Observing the artwork more closely, we discern the likeness of E.G. Mamontova rendered with delicate and skillful pencil strokes. Repin’s proficiency in encapsulating the semblance of his subjects is evident. The subject’s gaze is directed slightly away from the viewer, imbuing the portrait with a sense of introspection or contemplation. Her facial features are delicately drawn, highlighting the softness of her expression complemented by a faint hint of a smile.

She is adorned in what appears to be a buttoned garment, typical of the period’s attire, with a scarf or bow tied around her neck. The clothing is skillfully sketched, with attention to the folds and the manner the fabric conforms to her figure. Repin’s prowess captures not just the physical appearance of Mamontova but seemingly also an intimation of her personality and demeanor.

The background of the portrait is indicative of Repin’s preference for simplicity in portraying his subjects, allowing the viewer to focus solely on the subject’s presence without the distraction of an elaborate setting. This technique accentuates the realism that the artist is so distinguished for, creating a connection between the observer and the subject of the portrait. Repin’s signature at the bottom right corner provides authentication of his work. The year of creation, also indicated nearby, reflects the time and context in which this artwork was created.

The portrait as a whole serves as a testament to the Realist aim of depicting subjects with fidelity to their true appearance and character, devoid of idealization or romantic embellishment. Repin’s mastery of portraiture is evident in his ability to convey the subtle nuances of his sitter’s persona while adhering to the tenets of Realism.

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