Portrait of Eugenie Graff (Madame Paul) (1882) by Claude Monet

Portrait of Eugenie Graff (Madame Paul) - Claude Monet - 1882

Artwork Information

TitlePortrait of Eugenie Graff (Madame Paul)
ArtistClaude Monet
Date1882
Mediumoil,canvas
Dimensions53 x 63.1 cm
Art MovementImpressionism
Current LocationFogg Museum (Harvard Art Museums), Cambridge, MA, US

About Portrait of Eugenie Graff (Madame Paul)

The artwork, “Portrait of Eugenie Graff (Madame Paul),” is a distinctive piece by the renowned artist Claude Monet, created in the year 1882. It is an oil on canvas and is well-noted for being a part of the Impressionist movement, a genre that Claude Monet greatly influenced and shaped. This portrait is modest in size, with dimensions of 53 x 63.1 cm, and currently resides at the Fogg Museum, which is part of Harvard Art Museums in Cambridge, Massachusetts, United States.

The artwork captures the visage of Madame Paul, with a loosely definitive and spirited brushwork that is characteristic of Monet’s style. Within the painting, Madame Paul is depicted alongside a small dog, firmly affirming it as a double portrait. The execution of the portrait conveys a certain immediacy and intimacy, reflective of the intrinsic principles of Impressionism, which sought to portray life with a sense of vibrancy and realism as it was perceived.

Madame Paul’s expression is affable and content, with features softly illuminated against a light, almost effervescent background that melds seamlessly into her form. The brushstrokes are visible and energetic, suggesting movement and life within the static medium. The dog is rendered with equal attentiveness, depicted with short, spirited strokes that capture the essence and texture of its fur. The choice of color palette — a harmony of blues, whites, and warm flesh tones — highlights the sitter’s personality, bringing her character rather than her exact likeness into focus. Monet’s signature at the bottom of the artwork signifies his authorship of this portrait, which remains a vivid testament to his mastery and his contributions to the art of portraiture within the larger framework of Impressionism.

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