Portrait of French Journalist Louis-François Bertin (1832) by Jean Auguste Dominique Ingres

Portrait of French Journalist Louis-François Bertin - Jean Auguste Dominique Ingres - 1832

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Artwork Information

TitlePortrait of French Journalist Louis-François Bertin
ArtistJean Auguste Dominique Ingres
Date1832
Mediumoil,canvas
Dimensions116 x 95 cm
Art MovementNeoclassicism
Current LocationLouvre, Paris, France

About Portrait of French Journalist Louis-François Bertin

The artwork “Portrait of French Journalist Louis-François Bertin” is a notable example of Jean Auguste Dominique Ingres’ mastery in portraiture, a piece created with oil on canvas in the year 1832. Measuring 116 by 95 centimeters, the painting is a representation of a defining era in art history—Neoclassicism. Currently, this significant piece of artwork finds its home in the Louvre Museum, located in Paris, France, where it continues to be admired for its historical value and artistic merit.

The artwork features a solemn and imposing figure seated with an air of authority and confidence. The subject, Louis-François Bertin, is dressed in attire fitting for a man of his standing during the period, predominantly in dark colors that suggest formality and professionalism. His white cravat stands in stark contrast to the tones of his garments, drawing attention to his imposing visage. The facial expression of the subject conveys a sense of contemplation and intelligence, underlining his role as a journalist.

Noteworthy is Ingres’ exceptional skill in rendering textures and fabrics, as seen in the realistic depiction of Bertin’s suit and the subtle tonal variations of the backdrop. The artwork’s composition is straightforward yet powerful, focusing entirely on the figure without the distraction of elaborate backgrounds or accessories. The presence of a red book or folio on the table beside Bertin perhaps alludes to his intellectual pursuits or profession. The artist’s technique accentuates the character and stature of Bertin, securing the portrait’s place as a quintessential example of Neoclassical portraiture.

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