Portrait of Helene Fourment with Gloves (c.1630 – c.1632) by Peter Paul Rubens

Portrait of Helene Fourment with Gloves - Peter Paul Rubens - c.1630 - c.1632

Artwork Information

TitlePortrait of Helene Fourment with Gloves
ArtistPeter Paul Rubens
Datec.1630 - c.1632
Mediumoil,canvas
Dimensions97 x 69 cm
Art MovementBaroque
Current LocationAlte Pinakothek, Munich, Germany

About Portrait of Helene Fourment with Gloves

The artwork “Portrait of Helene Fourment with Gloves” is a creation of the celebrated artist Peter Paul Rubens, dating from circa 1630 to 1632. This portrait is executed in oil on canvas and is a representative piece of the Baroque art movement. The painting’s dimensions are 97 by 69 centimeters, and it falls within the genre of portraiture. Currently, the portrait is housed in the Alte Pinakothek, located in Munich, Germany.

The artwork depicts Helene Fourment, the second wife of Peter Paul Rubens, adorned in attire befitting the era’s fashion. The composition showcases her wearing an elegant dress adorned with lace and accented by a dark bodice, which is cinched at the waist with a brightly colored red sash. Her décolletage is generously revealed by the low-cut of her garment. Helene’s look is completed by accessories that signify her status and elegance: she sports gloves, pearl necklaces, and a luxuriously feathered hat, which is embellished with what appears to be a brooch or decorative jewel and accentuated by a delicate red ribbon. The textural contrasts—ranging from the softness of her feathered hat and lace, to the sheen of her pearls and the rich fabric of her dress—highlight Rubens’ mastery in rendering diverse materials. Her pose, with one gloved hand gently holding the other, exudes a relaxed yet confident demeanor, and her gaze meets the viewer with a subtle, knowing expression that suggests an intimate portrayal by the artist of his beloved. The portrait celebrates not only Helene’s physical beauty but also conveys an air of grace and poise, traits admired in the society of the time. The painting’s delicate and rich rendering is a testament to Rubens’ ability to capture both the opulence and the personal character of his subject, which is characteristic of Baroque portraiture.

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