Portrait of Madame Marcotte de Sainte-Marie (1826) by Jean Auguste Dominique Ingres

Portrait of Madame Marcotte de Sainte-Marie - Jean Auguste Dominique Ingres - 1826

Artwork Information

TitlePortrait of Madame Marcotte de Sainte-Marie
ArtistJean Auguste Dominique Ingres
Date1826
Mediumoil,canvas
Dimensions93 x 74 cm
Art MovementNeoclassicism

About Portrait of Madame Marcotte de Sainte-Marie

The artwork, “Portrait of Madame Marcotte de Sainte-Marie,” is an oil on canvas painting created by the celebrated artist Jean Auguste Dominique Ingres in 1826. It measures 93 by 74 centimeters and is executed in the Neoclassical style, which is known for its clarity of form, sober colors, and strong lines that hark back to the aesthetics of the ancient Greek and Roman arts. The portrait is a quintessential example of the genre, showcasing Ingres’ precision in rendering the human form and his attention to detail.

In the portrait, Madame Marcotte de Sainte-Marie is depicted seated, exuding an air of dignified grace. She is dressed in a sumptuous russet gown, the fabric of which has a rich and luminous quality, skillfully painted to reflect light and texture. The sitter’s elegant attire is accentuated with jewelry, including bracelets, a necklace, and what appears to be a long chain or chatelaine, highlighting her social status. Her dark hair is styled in an elaborate coiffure, adding to the sophistication of her portrayal.

Madame Marcotte’s gaze meets the viewer directly, suggesting confidence and intelligence. The subtle modeling of her face, the soft shadowing, and the delicate handling of her features are indicative of Ingres’ mastery in portraiture. Her hands are gently clasped in front of her, one adorned with several rings, while the other holds eyeglasses and rests upon a book, perhaps signaling her educated and cultured demeanor.

The artwork’s composition is balanced and harmonious, with a neutral background that allows the figure to stand out. Ingres’ talent for conveying the texture of materials is evident in the detailed representation of lace and satin, adding a tactile dimension to the piece. The portrayal of Madame Marcotte de Sainte-Marie in this painting exemplifies the Neoclassical movement’s emphasis on order, harmony, and the idealization of the human form.

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