Portrait of Minna Beckmann-Tube (1924) by Max Beckmann

Portrait of Minna Beckmann-Tube - Max Beckmann - 1924

Artwork Information

TitlePortrait of Minna Beckmann-Tube
ArtistMax Beckmann
Art MovementVerism

About Portrait of Minna Beckmann-Tube

The artwork “Portrait of Minna Beckmann-Tube” was crafted by the artist Max Beckmann in the year 1924. This portrait pertains to the art movement known as Verism, which espouses a realistic depiction of subjects with an emphasis on the truthful portrayal of everyday life. As a genre, the artwork falls under the category of a portrait, representing a specific individual’s likeness.

In the portrait, the subject, Minna Beckmann-Tube, sits composed against a muted background that pragmatically recedes, focusing the viewer’s attention on her. She is adorned in a sleeveless black dress, conveying an air of simplicity and elegance. Her posture is both relaxed and structured, with her hands gently resting on her lap, one clutching a red and white striped fan. A subtle but striking element in her attire is the golden bracelet on her left wrist, which provides a warm contrast to the overall cool tones of the composition.

Her facial expression is serene and introspective, suggesting a sense of contemplation or deep thought. The artist’s use of lighting is strategic, softly modeling her features and creating a gentle play of shadows. There is an assertive quality in her gaze, where she engages the viewer directly, serving to bridge a connection between the subject and the observer.

Behind her, one observes a framed mirror, the reflection of which introduces intriguing elements into the composition. While the contents of the reflection are partially obscured, one might infer the presence of curtains and perhaps a glimpse into additional space beyond the frame. This element adds an element of depth and context to the portrait, intriguing the viewer to ponder about the environment surrounding the subject.

Overall, the artwork stands as a testament to Beckmann’s skill in capturing the essence of his subject, rendering her with a blend of empathetic realism and psychological insight. It is a quintessential example of how portraits from this period could offer both an embodiment of the sitter’s character and a deeper exploration of the human condition.

Other Artwork from Max Beckmann

More Verism Artwork

Scroll to Top