Portrait of Mrs Mary Moody (c. 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape by George Romney

Portrait of Mrs Mary Moody (c. 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape - George Romney -

Artwork Information

TitlePortrait of Mrs Mary Moody (c. 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape
ArtistGeorge Romney
Mediumoil
Art MovementRococo

About Portrait of Mrs Mary Moody (c. 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape

The artwork titled “Portrait of Mrs Mary Moody (c. 1767-1820), wife of Samuel Moody,” is a notable creation by George Romney. This oil painting is aligned with the aesthetics of the Rococo art movement, and it exemplifies the portrait genre. The artist has immortalized Mrs. Mary Moody through his skillful application of oil paints, capturing her in a three-quarter-length representation set against a landscape backdrop.

Upon observing the artwork, one is immediately drawn to the serene and gentle countenance of Mrs. Mary Moody. She is depicted with a soft, yet poignant expression that reflects both grace and poise. Her clothing is of a light hue, primarily white with delicate hints of pink, particularly visible in the bows and sash that adorn her attire. These colors, typical of Rococo’s light and airy palette, enhance the tender atmosphere of the painting.

Mrs. Moody is portrayed standing amidst a naturalistic setting, surrounded by the verdant tones of trees and foliage, with a glimpse of a serene sky in the background. This inclusion of landscape elements conveys a sense of openness and harmony with nature, a common thematic feature in Rococo works. Notably, she lovingly cradles a small dog in her arms, which adds a personal and intimate dimension to the portrait. The inclusion of the dog not only illustrates her affection for the animal but also serves as a symbol of fidelity and companionship.

Romney’s technique in rendering the textures of Mrs. Moody’s garment and hair showcases his dexterity with the medium of oil paint. The fluidity and softness in his brushstrokes confer a delicate realism to the work, a testament to his prowess as a portraitist. Overall, the artwork is emblematic of the elegance and refined taste emblematic of the Rococo period, capturing the subject’s grace and the leisurely pursuits of the era’s upper class.

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