Created by the distinguished master Rembrandt in 1634, the artwork titled “Portrait of Oopjen Coppit” is a manifestation of the Baroque art movement. This notable piece is crafted using oil on canvas and measures 207 by 132 centimeters. The genre of the portrait denotes an individual portrayal of the subject named Oopjen Coppit. This significant artwork is part of a private collection and is currently located at the Louvre in Paris, France.
The artwork casts light upon Oopjen Coppit standing poised against a dark backdrop. Her gaze is directed away from the viewer, conjuring an air of subtle engagement. The subject is adorned in attire indicative of the affluence and fashion of her time, comprising a black dress with opulent lace embellishments that decorate the bodice, cuffs, and collar. The canvas captures the intricate textures of her garments and the sheen of her pearl necklace, while a fan is delicately held in her right hand. These details collectively offer an understated yet profound insight into the social stature and personality of the sitter.
Noticeably, Rembrandt’s mastery in the use of chiaroscuro— the stark contrast of light and shadow— is evident here, serving to illuminate the figure of Oopjen Coppit and animate her form with a corporeal lifelike quality. Her face and hands are painted with delicate precision, and the light gracing her lace collar and cuffs accentuates their refined detail. Meanwhile, the sumptuous black dress absorbs the surrounding shadows, creating depth and volume.
The setting, while minimalistic, includes a hint of architectural elements in the background, suggesting a spacious and sophisticated environment. The size of the portrait is significant and commands attention, echoing the status of the sitter in her era. This portrait, alongside its pendant portrait of her husband, Marten Soolmans, stands as a testament to Rembrandt’s skill in capturing not only the physical likeness of his subjects but also the cultural and social nuances of his time.