Portrait of Sophia Dragomirova (1889) by Ilya Repin

Portrait of Sophia Dragomirova - Ilya Repin - 1889

Artwork Information

TitlePortrait of Sophia Dragomirova
ArtistIlya Repin
Dimensions98 x 78 cm
Art MovementRealism

About Portrait of Sophia Dragomirova

The artwork titled “Portrait of Sophia Dragomirova” is a distinguished piece from 1889 by the revered artist Ilya Repin. Measuring 98 cm by 78 cm, it is executed in oil on canvas and exemplifies the Realism movement. As a genre, it falls under the classification of a portrait, functioning as an artistic representation of the individual Sophia Dragomirova.

The painting portrays Sophia in a three-quarter length pose. She is adorned in traditional folk attire, which is richly decorated with intricate embroidery and vivid colors, lending the artwork a sense of cultural depth. The white blouse she wears serves as a bright counterpoint to her emerald green skirt that is embellished with red floral designs, emphasizing her grace and femininity. Upon her head sits a headpiece adorned with striking blue flowers that elegantly contrasts the dark tones of her hair and the headpiece itself.

Sophia’s pose is one of repose and contemplation. Resting her cheek on her hand, her gaze betrays a sense of distant introspection, as if caught in a private moment of reflection or daydream. This emotionally evocative expression, along with the details of her attire, skillfully harnesses the Realist focus on depicting subjects with truth and accuracy, unembellished by the fantastical elements characteristic of the preceding Romantic movement.

Ilya Repin’s mastery of light, texture, and detail is evident in the careful rendering of fabrics, the delicate handling of skin tones, and the luminous floral arrangement that crowns Sophia. The background of the portrait is muted, primarily in shades of gray, which cleverly directs the viewer’s focus toward the subject, her intricate dress, and her contemplative demeanor. The use of color, the precision of composition, and the emotional resonance of the portrait stand as a testament to Repin’s status as a significant figure in the Realism art movement.

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