Portrait of the Chairman of the Azov-Don Commercial Bank in St. Petersburg, A.B. Nenttsel (1908) by Ilya Repin

Portrait of the Chairman of the Azov-Don Commercial Bank in St. Petersburg, A.B. Nenttsel - Ilya Repin - 1908

Artwork Information

TitlePortrait of the Chairman of the Azov-Don Commercial Bank in St. Petersburg, A.B. Nenttsel
ArtistIlya Repin
Date1908
Art MovementRealism

About Portrait of the Chairman of the Azov-Don Commercial Bank in St. Petersburg, A.B. Nenttsel

The artwork, “Portrait of the Chairman of the Azov-Don Commercial Bank in St. Petersburg, A.B. Nenttsel,” is a creation of the illustrious artist Ilya Repin, completed in the year 1908. This portrait is an exemplification of the Realism art movement, a genre devoted to the accurate, detailed, unembellished depiction of the real world. Repin, renowned for his profound talent in portraiture, presents the subject, A.B. Nenttsel, in a distinguished and lifelike manner, reflective of the subject’s status and character.

The painting itself captures A.B. Nenttsel seated comfortably in an ornate wooden chair, exuding an air of authority, composure, and a subtle dignified grace. The sitter is attired in a solemn black suit, crisp white shirt, and matching black tie, with his left hand slightly raised and resting on the arm of the chair. His facial expression is serene yet imposing; a pensive gaze and a well-groomed white beard add to the wisdom and experience his visage conveys.

The background is relatively sparse, promoting the subject as the central focus. The brushwork, in a characteristically realist fashion, is meticulous, capturing the textures of the chair’s woodwork, the fabric of Nenttsel’s attire, and the intricate pattern of the carpet beneath him. The color palette is restrained, primarily leaning towards muted earth tones, which are punctuated by the warmer hues of the carpet and the sitter’s complexion, bringing vitality to the composition. Repin’s mastery is evident in the controlled play of light and shadow, highlighting the contours of the sitter’s face and hands, and giving depth to the scene.

In sum, this portrait is not just a faithful representation of A.B. Nenttsel; it also serves as a testament to Repin’s skill in capturing the essence of his subjects, harnessing the profound subtleties of their personalities, and embedding them into the canvas through the medium of Realist art.

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