The artwork titled “R.S.V.P. Sculptures Activated by the Artist and Maren Hassinger in Performance Piece – Nylon Mesh and Maren Hassinger,” created by artist Senga Nengudi in 1977, is a notable example of Performance Art and Feminist Art. This genre-defying performance piece involves the use of nylon mesh sculptures animated through the actions of the artist herself and Maren Hassinger, resulting in a dynamic and interactive experience.
The depicted artwork captures two figures fully engaged with the stretched nylon mesh material, creating dynamic lines and forms against the stark white background. One figure stands on the left, leaning backward with their arms extended outward, their body appearing to respond to the tension of the mesh. The other figure is seated on the ground, their arms positioned behind their head, seemingly interacting with the mesh stretched behind them. The composition highlights the interplay between the human body and flexible material, emphasizing the physicality and performative elements integral to Nengudi’s artistic expression. This piece explores themes of movement, tension, and the relationship between form and space.
