Railroad Embankment at Sevres (1879) by Alfred Sisley

Railroad Embankment at Sevres - Alfred Sisley - 1879

Artwork Information

TitleRailroad Embankment at Sevres
ArtistAlfred Sisley
Date1879
Mediumoil,canvas
Dimensions37.5 x 46 cm
Art MovementImpressionism
Current LocationMuseo Botero, Bogotá, Colombia

About Railroad Embankment at Sevres

The artwork “Railroad Embankment at Sevres” by Alfred Sisley was created in 1879 and is an oil on canvas painting belonging to the Impressionist movement. The piece measures 37.5 by 46 cm and is categorized as a landscape genre painting. It is housed in the Museo Botero in Bogotá, Colombia.

The painting depicts a tranquil, suburban landscape with a focus on a railroad embankment in the town of Sèvres, located in the outskirts of Paris. It is likely a sunny day with an expansive blue sky featuring soft, fluffy, white clouds that cover much of the upper part of the canvas. The brushwork is loose and fluid, a hallmark of Impressionist technique, that captures the fleeting effects of light and color. The embankment slopes gently upwards, covered in grass and punctuated by slender trees and a line of taller, darker trees or possibly poplars on the crest. In the foreground, there are a few figures: what appears to be a couple walking side by side and another individual slightly further away, adding human presence to the landscape. The right side of the painting shows denser vegetation, signifying a more inhabited or cultivated area.

In the distance, an open expanse suggests a valley or farmland, creating depth and a sense of calm rural life beyond the immediate grassy slopes. The colors are rendered in a harmonious palette primarily of greens, blues, and earth tones that reaffirm the serene atmosphere of the painting. Through subtle variations in hue and tone, Sisley manages to convey a specific moment of daily life, capturing the essence of the Impressionist desire to depict modern life and its changing effects of light and color. The inclusion of the railroad is a motif of modernity, likely reflecting the artist’s interest in the industrial changes of the time.

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