“Regular Division of The Plane I,” created in 1957 by M.C. Escher, belongs to the Op Art movement and represents the genre of tessellation. The artwork meticulously explores the mathematical concept of tiling a plane using repeated geometric shapes without gaps or overlapping.
The artwork features multiple grid sections, each filled with different patterns that exemplify Escher’s fascination with symmetry and infinite repetition. The top part comprises three sections labeled 1 to 4, displaying a gradual transformation and transitioning of shapes and lines. Below it, there are three more segments numbered 5 to 7, showcasing a progression of intricate, interlocking black and white shapes. The lower section of the artwork contains three additional segments labeled 8 to 10, presenting more complex figures and patterns that interweave seamlessly, creating a visually arresting interplay between form and void. The precise and calculated nature of Escher’s tessellations demonstrates his mastery in blending art with mathematics, invoking a mesmerizing and almost hypnotic effect.