Repentant Judas Returning The Pieces Of Silver (1629) by Rembrandt

Repentant Judas Returning The Pieces Of Silver - Rembrandt - 1629

Artwork Information

TitleRepentant Judas Returning The Pieces Of Silver
ArtistRembrandt
Date1629
Mediumpanel
Dimensions102.3 x 79 cm
Art MovementBaroque,Tenebrism
Current LocationPrivate Collection

About Repentant Judas Returning The Pieces Of Silver

The artwork titled “Repentant Judas Returning The Pieces Of Silver” is a religious painting created by the renowned artist Rembrandt in the year 1629. Executed on a panel, this piece exemplifies the Baroque style and employs Tenebrism, a technique characterized by dramatic contrasts of dark and light. The dimensions of the artwork are 102.3 x 79 cm. Currently, the painting is housed within a private collection.

The artwork captures a poignant moment from Christian scripture, depicting the figure of Judas Iscariot in a state of repentance. Amid a dimly lit interior, the scene is set with Judas kneeling desperately in the foreground, his hands clasped together in anguished prayer. Scattered around him on the floor are the thirty pieces of silver for which he betrayed Jesus, their reflective surfaces catching glimpses of light, emphasizing his regretful action.

In the center of the composition, stern figures, presumably the priests and elders of the Temple, are portrayed with their backs to Judas, either in conversation or disengagement, implying their disinterest or dismissive attitude towards Judas’s remorse. Their richly adorned garments and the grandiose setting, with large books and ornate architectural elements, lend a sense of power and authority to these individuals.

The chiaroscuro technique that Rembrandt employed deftly highlights the emotional gravity of the scene. The selective lighting draws the viewer’s attention to the emotional focal point—the repentant Judas—while the surrounding figures emerge from the shadows, contributing to the narrative tension.

Overall, the contrasts of light and dark, the expressive poses of the figures, and the dramatic storytelling all contribute to the artwork’s intense and moving depiction of this biblical story. Rembrandt’s mastery of the Baroque and tenebristic techniques is evident in his handling of the psychological depth and the palpable sense of human fallibility and divine judgment encapsulated in this work.

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