The artwork titled “Sant’Agnese (Venetian)” was created by the artist Robert Rauschenberg in the year 1973. This piece belongs to the Neo-Dada art movement and falls under the genre of installation art.
The artwork prominently features two wooden chairs positioned opposite each other, with a suspended white cloth draped between them. The simplicity and subdued color palette underscore the Neo-Dada movement’s intent to integrate ordinary objects into artistic contexts, thereby challenging traditional perceptions of art. The chairs exhibit signs of wear, evoking a sense of history and usage, while the pristine cloth introduces an element of contrast and purity. The arrangement of the objects and the interplay of textures create a captivating visual dialogue that encourages contemplation and interpretation.