Seated and Standing Woman (1884; France) by Georges Seurat

Seated and Standing Woman - Georges Seurat - 1884; France

Artwork Information

TitleSeated and Standing Woman
ArtistGeorges Seurat
Date1884; France
Mediumoil,wood
Art MovementPointillism,Neo-Impressionism
Current LocationAlbright-Knox Art Gallery, Buffalo, NY, US

About Seated and Standing Woman

The artwork titled “Seated and Standing Woman” was created by the French artist Georges Seurat in the year 1884. Done in oil on wood, the piece is emblematic of the Pointillism and Neo-Impressionism movements. As a genre painting, it reflects scenes of everyday life. Currently, the artwork is housed in the Albright-Knox Art Gallery located in Buffalo, New York, United States.

Upon studying the artwork, one observes two central female figures, one seated in the foreground and one standing in the mid-ground, set against a vibrant landscape. Seurat’s distinctive approach to Pointillism is visible in the meticulous application of color through small, distinct dots of paint, which blend together to create a shimmering effect when viewed from a distance. The seated woman is portrayed with her back toward the viewer, gazing out at a body of water, where hints of a boat can be discerned. The standing woman is positioned further back, seen in profile, with her attentiveness directed toward the opposite side of the canvas, providing a counterbalance to the seated figure.

The organic forms of the trees and foliage are depicted with a harmonious array of greens, while the women’s attire and the water convey cooler tones, demonstrating Seurat’s nuanced understanding of color and light. The meticulous method of pointillist technique creates texture and a sense of movement within the tranquil setting, reflecting the artist’s profound interest in the optical effects of color and the scientific principles underlying the perception of light. The artwork, through its serene composition and innovative technique, encapsulates the ethos of Neo-Impressionism, ushering the viewer into a contemplative space that bridges the gap between art and the scientific theory of the era.

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