Self Portrait (1622 – 1623) by Anthony van Dyck

Self Portrait - Anthony van Dyck - 1622 - 1623

Artwork Information

TitleSelf Portrait
ArtistAnthony van Dyck
Date1622 - 1623
Mediumoil,canvas
Dimensions117 x 94 cm
Art MovementBaroque
Current LocationHermitage Museum, Saint Petersburg, Russia

About Self Portrait

The artwork titled “Self Portrait” is a masterful creation by Anthony van Dyck, an esteemed artist of the Baroque period. Painted between the years 1622 and 1623, the self-portrait is rendered in oil on canvas. The dimensions of this notable piece are 117 by 94 centimeters. As a key example of a self-portrait, it falls within the genre that artists have long used to explore their own identity and showcase their skills. Currently, the artwork is housed in the illustrious Hermitage Museum in Saint Petersburg, Russia.

The artwork presents a young Anthony van Dyck, portrayed with a striking sense of immediacy and self-assuredness that is characteristic of Baroque portraiture. The artist depicts himself at a three-quarter angle, allowing viewers to engage with his gaze directly. His facial expression is confident yet approachable, with his lips slightly parted as if on the verge of speaking. The luminosity of his flesh, rendered with subtle gradations of tone, contrasts against the dark, richly detailed attire, emphasizing his face and the elegant posture of his hands.

Van Dyck’s attire is lavish, typical of the Baroque fashion, with a sumptuous black silk garment that drapes fluidly around his body, glistening with the play of light upon its folds. The silky material of his sleeves is caught at the elbows, revealing the crisp, white shirt underneath. One hand rests casually on a stone ledge, while the other is bent at the waist, a gesture that conveys both a relaxed demeanor and a sense of nobility. Behind him, a dimly lit background gives little away, drawing the viewer’s focus primarily to the figure and his attire.

The grandeur of the composition, the intimate connection established with the viewer, and the exquisite skill in rendering textures and flesh tones all contribute to the enduring appeal of this work. It is a testament to van Dyck’s mastery over the medium and his ability to convey his self-image with both grandiosity and psychological depth, hallmarks of the Baroque era’s preoccupation with emotion, drama, and personal expression.

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