The artwork titled “Self-portrait” is attributed to Rembrandt, one of the most eminent artists of the Baroque art movement. It is categorized as a sketch and study and is believed to have been created between the years 1656 and 1659. The work is part of the collection at the Museum Boijmans van Beuningen located in Rotterdam, Netherlands.
The artwork portrays Rembrandt’s visage in a gestural and dynamic fashion. The marks seem spontaneous and energetic, capturing the artist’s facial features and expression with immediacy. Emphasis is placed on the eyes and the central structure of the face, while the hair is suggested with brisk, sweeping lines that convey both movement and volume without excessive detail. The shoulders and body are sketched with similarly loose strokes, indicating the artist’s attire and posture but leaving much to the viewer’s interpretation.
Rembrandt’s ability to create depth and dimensionality with seemingly simple strokes is evident here, showing his masterful understanding of light, shadow, and form. The economy of line is notable, as the portrait emerges from the paper with a few expertly placed lines. The overall impression is one of a study or an impromptu capture of the artist’s likeness, rather than a fully realized and meticulously detailed portrait, giving us insight into Rembrandt’s artistic process and the exploratory nature of his self-portraiture.