The artwork known as “Self-portrait” is a creation of Rembrandt, a masterful artist renowned for his contributions to the Baroque period of the 17th century. This particular self-portrait is believed to have been executed around the year 1637. The genre into which this piece falls encompasses both self-portraiture and tronie, the latter being a type of Dutch and Flemish painting that depicts an exaggerated facial expression or a stock character in costume.
Examining the artwork, we observe a representation of the artist himself, captured with an expression that conveys a sense of assurance and introspection, both characteristics often associated with Rembrandt’s self-portraits. The artist’s gaze seems to interact subtly with the viewer. Rembrandt’s skill in rendering the human face with a few deft and economic strokes is evident, capturing not just his own likeness but also the suggestion of his persona and mood. The ruffled collar and the broad-brimmed hat are indicative of the attire of the period and contribute to the dramatization of his appearance, enhancing the Baroque aesthetic of theatricality and dynamism. The medium, possibly red chalk, is employed with a loose yet controlled technique, which allows for a vivid sense of texture and movement in the depiction of his garments and features.
The sparse but effective use of line in this self-portrait is a testament to Rembrandt’s adroitness with draftsmanship—a key attribute of his extensive oeuvre that includes etchings, drawings, and paintings. The dynamism and immediacy of the artwork exemplify the Baroque spirit, where artworks were often imbued with a sense of energy and emotional depth.