Self-Portrait with Model (1910) by Ernst Ludwig Kirchner

Self-Portrait with Model - Ernst Ludwig Kirchner - 1910

Artwork Information

TitleSelf-Portrait with Model
ArtistErnst Ludwig Kirchner
Date1910
MediumOil on Canvas
Dimensions150.4 x 100 cm (59 1/4 x 39 3/8 in.)
Art MovementExpressionism
Current LocationKunsthalle Hamburg, Hamburg, Germany

About Self-Portrait with Model

“Self-Portrait with Model” is an oil on canvas artwork created by the artist Ernst Ludwig Kirchner in 1910. This self-portrait belongs to the Expressionism movement, a genre that emphasizes the subjective expression of emotion over realistic representation. The artwork, which measures 150.4 by 100 cm (59 1/4 by 39 3/8 in.), is housed at the Kunsthalle Hamburg in Hamburg, Germany.

The artwork at hand presents a compelling scene, characterized by the bold strokes and vibrant colors typical of Kirchner’s expressionist style. It features two figures set against what appears to be a dark, flat backdrop that lacks detailed context, which draws the viewer’s focus toward the subjects themselves. On the left, presumed to be the artist, is an imposing figure with a stark countenance, depicted with sweeping lines and a contrasting palette that conveys a certain intensity and emotional depth. The figure’s posture is relaxed yet commanding, with one hand resting idly while the other appears to hold a brush or palette, subtly inferring the act of painting.

Beside this central figure sits a model, whose physical form is rendered with softer, flowing outlines that denote femininity and a state of repose. The depiction contrasts with her companion by being slightly less detailed, which subtly highlights the introspective nature of a self-portrait where the artist himself is the primary subject. The interaction between the figures seems detached, with the model appearing contemplative or distant, reinforcing a sense of psychological depth that is a hallmark of expressionist work.

Overall, the artwork communicates a visceral sense of emotion and psychological insight, which is further accentuated by the gestural brushstrokes and bold delineations characteristic of Kirchner’s oeuvre. The composition is an eloquent testament to the expressionist movement’s fascination with the internal states of the artist and his subjects.

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