Self-portrait with plumed cap and lowered sabre (1634) by Rembrandt

Self-portrait with plumed cap and lowered sabre - Rembrandt - 1634

Artwork Information

TitleSelf-portrait with plumed cap and lowered sabre
ArtistRembrandt
Date1634
Art MovementBaroque

About Self-portrait with plumed cap and lowered sabre

Created by Rembrandt in 1634, the artwork titled “Self-portrait with plumed cap and lowered sabre” is an exemplar of the Baroque era. Known for his profound contributions to art with a particular focus on self-portraiture, Rembrandt has captured a sense of drama and liveliness in this piece that is characteristic of the Baroque movement. The artwork not only showcases the artist’s technical prowess but also provides insight into his self-perception and the manner in which he presented himself to the world.

Delving into the details of the artwork, one observes Rembrandt depicted in a moment of casual elegance and confidence. The artist wears a plumed cap, tipping it at an angle that adds a touch of flamboyance and flair to his appearance. The expression on his face is self-assured, with a slight smile that hints at a sense of contentment or perhaps a private amusement. His gaze meets the viewer directly, suggesting an openness and directness in communication.

Rich in texture and detail, the clothing appears lavish, with folds and creases that demonstrate Rembrandt’s mastery of etching techniques. The lowered sabre, hinted at in the title, suggests an element of action or readiness but is composed in such a way that it does not overpower the calm demeanor of the artist. Instead, it complements the overall composition, providing a balance between poise and potential movement.

The use of light and shadow in the artwork is subtle yet impactful, drawing attention to the artist’s face and the intricate details of his garments. The chiaroscuro, a hallmark of the Baroque style, is evident here, as it heightens the three-dimensional quality of the piece. The careful etching of lines showcases Rembrandt’s skill in creating texture and depth, further emphasizing the significance of this self-portrait in the study of his body of work.

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