“Self-Portrait with Saskia in the Parable of the Prodigal Son” is a significant artwork completed circa 1635 by the renowned artist Rembrandt. This oil on canvas masterpiece measures 131 by 161 centimeters and is categorized within the Baroque movement, serving as both a self-portrait and religious painting by the Dutch master. The artwork is part of the collection at the Gemäldegalerie Alte Meister in Dresden, Germany.
In the artwork, Rembrandt vividly paints himself in the garb of the prodigal son, embodying a scene from the biblical parable. Beside him stands a figure identified as Saskia, his wife, who is depicted in historical costume. Rembrandt’s self-portrayal showcases a joyous and self-indulgent moment, as he dons a broad-brimmed hat and turns towards the viewer with an exuberant expression, perhaps capturing the essence of the prodigal son in celebration. His intricate attire and the luxurious sword at his side suggest wealth and a carefree lifestyle, which align with the narrative of the parable before the son’s eventual fall from grace. Saskia, holding what appears to be a tall glass, gazes back with a subtle, knowing look.
The play of light and shadow on their figures, along with the rich detailing of textures in the costumes, are characteristic of Rembrandt’s work during this period. The curtain in the background and the faint hint of activity preserved in the darker areas of the canvas add depth to the scene, drawing the viewer into this moment of festivity and reflection of character. This self-portrait with religious undertones is a masterful exploration of personal identity, narrative storytelling, and the opulent dynamism of the Baroque era.
