“Simultaneous Counter Composition,” crafted by Theo van Doesburg in 1929 in Germany, is an abstract artwork rendered in oil on canvas. As a piece associated with the Neoplasticism movement, it exemplifies the genre’s distinct approach to form and color.
The artwork displays a geometric abstraction characteristic of Neoplasticism, using a limited palette to create a balanced yet dynamic composition. The canvas is bisected by thick black lines extending both horizontally and vertically, creating a grid-like effect that organizes the space into distinct shapes. Blocks of primary colors—red, yellow, and blue—occupy some of these shapes, with additional areas filled by shades of gray. The central and largest section of the composition remains white, providing a stark contrast to the bold colors and lending an open feel to the piece. The use of clean lines and geometric forms exemplifies van Doesburg’s commitment to the principles of Neoplasticism, focusing on harmony and balance through abstract elements.
