The artwork under discussion is a series of sketches by Nicholas Roerich, titled “Sketches of costumes for ‘Princess Maleine.'” Roerich, a Russian painter, writer, archaeologist, theosophist, philosopher, and public figure, has been noted for his contributions to the Symbolist movement. The particular genre of this work is ‘design,’ as it pertains to theatrical costume design, demonstrating Roerich’s multifaceted talents beyond conventional canvas painting.
This series of sketches presents a vibrant array of costumes with intricate patterns and a rich palette of colors, reflecting the Symbolist movement’s affinity for the mystical and the expression of inner emotional reality. The depicted figures are adorned in elaborate garments that suggest regality and fantasy, possibly indicative of their roles within the narrative context of “Princess Maleine,” a work they are designed for. Each costume is unique, yet they all bear a common thread of ornate detail and bold stylization, characteristics that resonate with the Symbolist ethos and Roerich’s distinct artistic vision.
While the exact roles of the figures are not stated in the brief, their clothing suggests a range of societal standings and personalities, from the majestically crowned individual suggesting royalty to the simpler, more humble attire of figures that could symbolize servants or common folk. The presence of rich textures, flowing fabrics, and decorative motifs betrays a careful consideration of both form and function, ensuring that the costumes not only create stunning visual appeal but also contribute to the storytelling component of the stage production for which they were intended.
