Statesman No.091° – Caricature of Mr John Locke M.P. (1871) by James Tissot

Statesman No.091° - Caricature of Mr John Locke M.P. - James Tissot - 1871

Artwork Information

TitleStatesman No.091° - Caricature of Mr John Locke M.P.
ArtistJames Tissot
Date1871
Art MovementRealism

About Statesman No.091° - Caricature of Mr John Locke M.P.

The artwork titled “Statesman No.091° – Caricature of Mr John Locke M.P.” was created by the artist James Tissot in the year 1871. It can be categorized within the Realism movement, specifically as a caricature, and is a part of the “Statesman (Caricatures)” series. This piece of art presents a satirical depiction of the individual in question, designed to convey personality and social commentary.

Upon examination of the artwork, it features a full-length caricature of a gentleman who appears to be a politician, given the context provided and the title referring to him as Mr. John Locke, M.P., which stands for Member of Parliament. The figure is portrayed with an exaggerated facial expression and a striking posture intended to emphasize certain characteristics or attitudes associated with the person. He stands confidently with his arms folded, wearing a double-breasted coat, and has a commanding presence.

The colors used in the caricature are subtle yet defined, with a predominance of brown tones in the attire, which complements the stark white of the gentleman’s hair and beard, and the warm flesh tones of his face. The shading techniques employed add depth to the figure, bringing attention to the features meant to be highlighted through caricature.

Additional details, such as the caption beneath the figure and the publishing information at the top, hint at the social or political context of the time. The caption reads, “The only man who is ever known to make Mr. Gladstone smile,” suggesting the caricatured individual has a particular relationship or significance with another notable person of the period, presumably Mr. Gladstone.

Overall, Tissot’s work is a fine example of the interplay between portraiture and societal observation that is characteristic of caricatures from this era. It merges artistic skill with the biting wit of social commentary, capturing the essence of its subject through exaggerated physical and facial features while embedding it within the discourse of its time.

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