Still life with a fruit dish and apples (c.1880) by Paul Cezanne

Still life with a fruit dish and apples - Paul Cezanne - c.1880

Artwork Information

TitleStill life with a fruit dish and apples
ArtistPaul Cezanne
Datec.1880
Art MovementPost-Impressionism

About Still life with a fruit dish and apples

The artwork titled “Still life with a fruit dish and apples,” created by Paul Cezanne circa 1880, is an exemplary piece of the Post-Impressionism movement. Categorized as a still life, this work showcases Cezanne’s unique approach to form and color, which would significantly influence the direction of modern art.

The artwork displays a robust and deliberate composition, characterizing Cezanne’s departure from the more spontaneous approach of his Impressionist predecessors. A fruit dish, brimming with apples of various hues, serves as the focal point. The dish is positioned slightly off-center, atop a table with a dark-hued surface that anchors the composition. Surrounding this central element are loose piles of apples and what appears to be a crumpled piece of cloth, adding both textural contrast and depth to the scene.

Cezanne applies paint in a manner that emphasizes the solidity of the objects, using a palette rich in earthy reds, oranges, and greens to render the apples with a sense of volume. The brushwork is discernible and calculated, contributing to the tactile sensation of the fruit’s skin and the fabric’s folds. Shadows are subtlety integrated to enhance the three-dimensionality achieved through Cezanne’s distinctive treatment of light and color.

The background is muted and indistinct, allowing the viewer’s attention to remain on the still life arrangement. The composition’s perspective is classic Cezanne; it challenges conventional representation by toying with spatial relationships, giving the impression that the table is tilted towards the viewer. This technique exemplifies Cezanne’s exploration of form and his tendency to exaggerate perspectives, thus making his contribution to Post-Impressionism so influential in the subsequent development of Cubism and 20th-century abstract art.

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