The artwork “Study for the Trivulzio Equestrian Monument” is a sketch by the eminent High Renaissance artist Leonardo da Vinci, dating to circa 1510 and originating from Milan, Italy. This study, rendered on paper with ink, measures 28 by 19.8 centimeters and serves as a preparatory work for an envisioned equestrian statue. The genre of the piece is a sketch and study, reflective of the artist’s extensive planning process for more complex works.
The artwork comprises multiple sketches that showcase da Vinci’s investigation into the dynamics of motion and the representation of horses and riders in varying postures. The dominant sketch portrays an equestrian figure demonstrating vitality and movement, conveying the artist’s deep understanding of equine anatomy and human proportion. Below this are smaller drawings, including additional studies of riders and horses. The artwork also contains architectural elements, possibly indicating da Vinci’s consideration of how the monument would interact with its surroundings. The drawings exhibit da Vinci’s characteristic sfumato technique, where outlines and details blend smoothly, without harsh transitions, exemplifying his mastery over form and shadow. Through this collection of studies, da Vinci not only explores compositional elements but also delves into the technical and structural challenges posed by casting large bronze monuments, which was an ambitious undertaking of the period.
