The artwork known as “Study for the Trivulzio monument,” created by the esteemed artist Leonardo da Vinci, dates to circa 1510. Conceived in Milan, Italy, during the High Renaissance, it manifests the extraordinary skills of da Vinci in the realm of draftsmanship. The piece, rendered in chalk and ink on paper, measures 21.7 by 16.9 centimeters and is classified as a sketch and study. This work reflects the pinnacle of Renaissance artistry, displaying the careful planning that preceded the execution of significant works during this period.
The artwork presents a study for an equestrian monument. In it, a robust horse is depicted in profile, standing on a rectangular pedestal with its right foreleg raised, suggesting a dynamic, poised movement. Astride the horse is a figure dressed in the attire of the day, presumably a rider of high rank given the context and tradition of such monuments. The rider holds what appears to be a staff or spear, conveying a sense of leadership or martial prowess. The monument sketch includes a detailed representation of the horse with meticulous attention to the musculature and posture. Below the horse and rider is an architectural sketch, possibly indicating a base or tomb. The details of the architectural element are less defined than the equestrian figure, emphasizing that this is indeed a study with a focus on the central sculpture. Leonardo’s use of line and shadow in the sketch demonstrates his profound understanding of form and anatomy.
