The artwork, “Study of an apostle’s head and architectural study,” is attributed to the renowned Renaissance master Leonardo da Vinci and dates back to approximately 1496. Crafted during his time in Milan, Italy, it is a sketch and studies genre piece, executed using chalk and ink on paper. The dimensions of the artwork are modest, measuring 25.2 cm in height and 17.2 cm in width. This piece exemplifies the High Renaissance movement, a period characterized by harmony, balance, and the refinement of techniques in the visual arts.
In the artwork, the viewer is presented with two distinct studies: the upper part is dominated by the finely sketched head of an apostle, which reveals Leonardo’s expertise in human anatomy and facial expressions. The apostle’s head is turned slightly downward with a serene yet pensive expression. His wavy, curled hair is delicately outlined, further showcasing da Vinci’s attention to detail. The lower portion of the artwork contains a series of architectural drawings. These sketches depict intricate buildings featuring domes and towers, reflective of Renaissance architectural elements. The juxtaposition of these designs suggest Leonardo’s diverse interests and his investigations into both the human form and architectural design. As seen in other Leonardo sketches, there is a remarkable sense of fluidity and dynamic movement within the lines, capturing the very essence of his subjects with a masterful economy of strokes.