The artwork under discussion, crafted by Kazimir Malevich, is an exemplar of the Suprematism movement. Malevich executed this piece using oil on wood, manifesting abstract qualities that are characteristic of the movement he was significantly a part of. The dimensions of the artwork are 71 by 45 centimeters. Suprematism, as an art movement, focused on basic geometric forms and a limited range of colors to express pure artistic feeling.
In analyzing the artwork, one observes the use of elementary geometric shapes such as a rectangle, a square, and a circle. These shapes are depicted in black against a pale background which enhances their abstract form and the contrast speaks to the Suprematist emphasis on the supremacy of pure artistic feeling over the depiction of objects. The layout of the forms is non-representational and does not refer to any natural world object, instead, it is meant to convey a sense of movement, equilibrium, and spatial relations within the two-dimensional surface of the painting. The apparent simplicity of the forms invites viewers to contemplate their relationship with each other and the space they occupy. Overall, the artwork is a testament to the avant-garde philosophy of Suprematism, where the visual language of shapes is used to explore the basic principles of art composition, free from the constraints of representational art.