Tahitian women under the palms (1892; French Polynesia) by Paul Gauguin

Tahitian women under the palms - Paul Gauguin - 1892; French Polynesia

Artwork Information

TitleTahitian women under the palms
ArtistPaul Gauguin
Date1892; French Polynesia
Art MovementPost-Impressionism
Current LocationPrivate Collection

About Tahitian women under the palms

The artwork titled “Tahitian Women Under the Palms” was created by French Post-Impressionist artist Paul Gauguin in 1892 during his time in French Polynesia. Employing oil on canvas, Gauguin crafted a landscape genre piece reflective of Post-Impressionism, a movement characterized by bold colors and symbolic content. Currently, the artwork resides within a private collection, speaking to the exclusivity and value attributed to Gauguin’s oeuvre.

In a vivid display of tropical serenity and exoticism, the artwork features two Tahitian women situated in a lush environment. The foreground is dominated by the figures of the women, one seated upright and the other in a reclining pose, both exuding an air of relaxed contemplation. The women’s traditional attire and tranquil demeanor are central to the composition, serving as a human connection to the cultural context of the setting.

The background is marked by a row of slender palm trees, stretching upward into a sky with patches of white, which might represent clouds, contrasting against the more vivid tones found below. Bold hills or mountains can be seen in the mid-ground, rendered in earthy hues that harmonize with the vibrant reds, yellows, and greens dominating the painting. Gauguin’s use of color is non-realistic, evoking a dreamlike atmosphere that accentuates the emotional response to the scene.

The landscape itself is an amalgamation of flowing forms and intense colors. Grass and foliage are suggested with sweeping brushstrokes, creating movement that leads the eye throughout the composition. The integration of the human figures with the natural environment exemplifies Gauguin’s Post-Impressionistic tendency to infuse his work with symbolism and an idealized interpretation of the subjects portrayed.

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