Georges Braque’s Still Life with Tenora is a papier collé artwork that features a fragment of the journal L’Echo d’Avignon, with the word “echo” emphasizing the sonorous quality. Along with Picasso, Braque introduced real objects into the illusion with papier collé. As an avid collector of musical instruments, Braque was interested in incorporating them into his artwork. The painting style of Still Life with Tenora suggests a sense of rhythm that complements its musical subject.
The use of collage in Still Life with Tenora is noteworthy, as it allowed for combining different materials and textures on one surface. Instead of limiting himself to paint and brush, Braque could play around with printed text and other found objects to create depth and contrast within his work. This approach helped him pioneer cubism, which sought to break down conventional concepts of space in pictorial representation.
Currently housed in the collection of MoMA in New York City, Still Life with Tenora remains a testament to Braque’s innovative techniques and artistic vision. Through this piece, he demonstrates how seemingly distant subjects can merge beautifully under creative experimentation. The juxtaposition between sound and image captured by Still Life with Tenora epitomizes not only its time but also modern art overall.