“The Black Finger Bandage,” completed in 1894, is an oil on canvas portrait by Berthe Morisot, a renowned artist associated with the Impressionism movement. The artwork reflects the characteristic style and aesthetic principles of Impressionism, which emphasize the portrayal of light, candid poses, and the vivid representation of scenes from everyday life.
The artwork presents two figures, depicted with loose and expressive brushwork typical of Impressionist technique. The composition is informal, with a sense of immediacy that captures a moment in time. The person on the left is seen from a side profile, engaged in an activity with a focus on their hands, suggesting the application of a bandage on one finger. The somber tones of the subject’s attire, which include shades of black and muted green, contrast starkly with the skin’s delicate pallor.
To the right, another figure draws the viewer’s attention, most likely a child given the proportions and the style of dress. The child’s large straw hat dominates the upper section of the canvas, providing a burst of warm color that complements the reddish hues of the hair. The facial expression of the child is solemn yet tender, rendered in soft tones that highlight the introspective nature of the portrait. The brushstrokes on the child’s dress are particularly brisk and dynamic, suggesting texture and movement within the fabric.
The background of the artwork is a blend of blues and neutral tones that provide a serene backdrop to the human subjects, allowing them to stand out. This juxtaposition is emblematic of Morisot’s work, where human subjects are intimately tied to their immediate surroundings, emphasizing the interaction between the individual and the environment. Overall, “The Black Finger Bandage” is a poignant example of Berthe Morisot’s skill in capturing the essence of Impressionist portraiture.
