The Bride Frightened at Seeing Life Opened (1943) by Frida Kahlo

The Bride Frightened at Seeing Life Opened - Frida Kahlo - 1943

Artwork Information

TitleThe Bride Frightened at Seeing Life Opened
ArtistFrida Kahlo
Date1943
Mediumoil,canvas
Dimensions63 x 81.5 cm
Art MovementNaïve Art (Primitivism)
Current LocationJacques and Natasha Gelman Collection, Mexico City, Mexico

About The Bride Frightened at Seeing Life Opened

“The Bride Frightened at Seeing Life Opened” is an artwork created by the renowned artist Frida Kahlo in 1943. Employing oil on canvas as her medium, Kahlo’s piece is an exemplar of the Naïve Art (Primitivism) movement. The artwork measures 63 x 81.5 cm and falls within the still life genre. Currently, it resides in the Jacques and Natasha Gelman Collection in Mexico City, Mexico.

The artwork presents a vivid and colorful display of fruits and other elements arranged on a yellow surface that suggests a table or a shelf. In the foreground, a variety of sliced and whole watermelons, along with bananas, a coconut, and what appears to be a hairy tropical fruit, possibly a kiwano (horned melon), occupy the majority of the space. A singular piece of watermelon is prominently displayed at the center, fanned out to reveal the bright red flesh and black seeds inside. Nestled among the fruits are an owl and a small figure of a bride, the latter of which lends the artwork its title. The owl, often symbolic of wisdom or mystery, is rendered with careful detail, contributing an element of the animate amidst the otherwise inanimate subject matter.

Behind the assortment of tropical fruits, an open papaya with its black seeds spilling out takes center stage, flanked by the textured exterior of a pineapple and what appear to be avocados. The use of light and shadow brings depth to these items, making them appear lush and tactile. The collective assembly of these elements creates a cornucopia of life, perhaps alluding to themes of fertility, abundance, or the contrasting emotions evoked by life’s offerings.

The entire composition is rendered with a meticulous hand, with particular attention to the texture and color of the various elements, which, despite the stolidity often associated with still life, elicits a sense of dynamism and intensity. Moreover, the inclusion of the bride figurine and the owl imbues the composition with a narrative quality, inviting viewers to ponder the relationship between the elements and the underlying story being conveyed through Kahlo’s artistic vision.

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