The Conjuror (1475 – 1480) by Hieronymus Bosch

The Conjuror - Hieronymus Bosch - 1475 - 1480

Artwork Information

TitleThe Conjuror
ArtistHieronymus Bosch
Date1475 - 1480
Mediumoil,wood
Dimensions65 x 53 cm
Art MovementNorthern Renaissance

About The Conjuror

“The Conjuror” is a painting by Hieronymus Bosch from the Northern Renaissance, created between 1475 and 1480. This oil on wood artwork measures 65 by 53 centimeters and falls under the genre painting category. It depicts an outdoor scene of a conjuror performing for an attentive audience, as typical of Bosch’s fascination with human folly and the complexities of moral messages conveyed through art.

In the center of the image, we see a man dressed in a red robe and wearing a black hat, seemingly performing a trick with objects laid out on a table to the right of the composition. In front of him to the left are various onlookers, expressing a range of emotions, from curiosity to skepticism, as they watch the scene unfold. Each face is whimsically rendered, adding personality and depth to the narrative.

These individuals appear engrossed by the magician’s sleight of hand while others show caution or amusement. Notably, one onlooker bends over the table, with a child peeking out from beneath the folds of her garment, trying to figure out the trick. In the foreground, a pickpocket takes advantage of the distracted audience to filch a victim’s purse, adding a layer of deceit and moral commentary to the scene.

In the background, the painter has depicted a dark brick wall and a serene blue sky with sparse cloud cover. A curious owl sits in a small opening within the wall, and a dog appears by the magician’s feet, adding additional elements that may carry symbolic significance often found in Bosch’s work. The overall palette is typical of the time, with a predominance of earth tones accented by the brighter colors of the participants’ attire. Bosch has managed to infuse the painting with a sense of narrative and moralistic undertones, characteristic of his unique approach to art during the Northern Renaissance.

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