“The Country of the Iguanodon,” crafted by John Martin in 1837, is a notable piece within the Romanticism art movement, falling under the genre of animal painting. The artwork portrays a dramatic prehistoric landscape inhabited by the majestic Iguanodon.
In the foreground of the painting, the viewer’s attention is captivated by a pair of Iguanodons, depicted in an almost serpentine form, engaging with each other in a lively manner. The creatures are enveloped in a swirling mass, emphasizing their interaction. The background illustrates a vast, untamed landscape bathed in a muted, ethereal light, with a distant sun setting over craggy mountains and a prehistoric habitat lush with ferns and primitive vegetation. The art piece effectively merges the grandeur and mystique typical of the Romanticism era with an imaginative portrayal of ancient life, evoking both awe and curiosity.