The Crucifixion (1809) by Jean Auguste Dominique Ingres

The Crucifixion - Jean Auguste Dominique Ingres - 1809

Artwork Information

TitleThe Crucifixion
ArtistJean Auguste Dominique Ingres
Date1809
Dimensions287 x 179 cm
Art MovementNeoclassicism
Current LocationMusée Ingres, Montauban, France

About The Crucifixion

“The Crucifixion” is an artwork created by Jean Auguste Dominique Ingres in 1809, embodying the principles of Neoclassicism. The painting measures 287 cm in height by 179 cm in width and falls under the genre of religious painting. It is a significant work from Ingres’s oeuvre and is currently housed at the Musée Ingres in Montauban, France.

The artwork presents a poignant depiction of the crucifixion of Jesus Christ, a central theme in Christian art. Christ is positioned in the center of the composition, affixed to the cross which stands erect. His figure dominates the scene, his arms outstretched and his head slightly bowed, representing the moment of his sacrifice. The color palette is subdued, with a strong contrast between the light and dark elements suggesting the gravity and solemnity of the event.

At the foot of the cross, two figures are discernible, their presence lending emotional depth to the scene. On the left, there is a kneeling woman, cloaked in somber colors, who appears to be Mary Magdalene, clothed in red and white. Her posture and expression convey deep mourning and devotion. On the right, a man stands, vested in the garb reminiscent of a religious official, possibly representing John the Apostle or another saint, looking up toward Jesus. The level of detail Ingres has rendered in their garments and expressions enhances the dramatic impact of the work.

Ingres’s mastery of the Neoclassical style is evident in the idealized forms, clarity of line, and the balanced composition that reflects the art movement’s emphasis on order and harmony derived from classical antiquity. The artwork serves as a contemplative piece, inviting viewers to reflect on the themes of sacrifice and redemption inherent to the subject matter, rendered with a sense of timeless dignity that characterizes Neoclassicism.

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