The Dead Christ with Angels (1864; Paris, France) by Edouard Manet

The Dead Christ with Angels - Edouard Manet - 1864; Paris, France

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Artwork Information

TitleThe Dead Christ with Angels
ArtistEdouard Manet
Date1864; Paris, France
Mediumoil,canvas
Dimensions179.4 x 149.9 cm
Art MovementRealism
Current LocationMetropolitan Museum of Art (Met), New York City, NY, US

About The Dead Christ with Angels

The painting “The Dead Christ with Angels” by Edouard Manet was created in 1864 in Paris, France. This work of art is an oil painting on canvas, standing within the Realism movement. It measures 179.4 cm in height by 149.9 cm in width. The genre of the painting is religious, depicting a scene from Christian theology. This piece is part of the collection at the Metropolitan Museum of Art in New York City, New York, United States.

The artwork displays a somber scene with a lifeless Christ seated and supported by angels. The central figure of Christ is pale, with closed eyes and hands resting limply on his lap, one hand holding onto what appears to be the edge of the white cloth draped over his lower body. The shroud falls in graceful folds, suggesting the solidity and heaviness of his form beneath. At the feet of Christ lies a dark, hollow skull—a traditional symbol of mortality and a direct reference to Golgotha, the place of his crucifixion also known as “the place of the skull.”

Surrounding Christ are two angels, each depicted with unique attention to their emotional expression and detailed, colorful wings. The angel on the left is bowed in sorrow, hand to the face, epitomizing grief at the death of the Savior. The other angel, placed to the right side of Christ, gently supports him, comforting the lifeless figure with an intimate embrace, gazing upon Christ with a serene and nurturing expression. The portrayal of the angels is less ethereal, with their emotions and appearances rendered with a realistic touch characteristic of Manet’s style, contributing to the overall impact of human grief and divine tenderness within this scene.

Behind the figures, the dark background juxtaposes with the flesh tones and bright white of the shroud, enhancing the dramatic interplay of light and shadow, a technique often utilized to convey depth and focus on the central theme of the painting—the mortality of Christ and the sorrow it brings to those around him.

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