“The Death of Sapphira,” created by Nicolas Poussin between 1654 and 1656, is a classic example of 17th-century classical art. Executed in oil on canvas, it measures 122 by 199 centimeters and belongs to the mythological painting genre. This artwork is part of the Louvre’s collection in Paris, France, reflecting Poussin’s influence from the art movement of Classicism.
The artwork depicts a dramatic scene filled with emotional intensity and moral message. In the foreground, the central figure is Sapphira, who lies on the ground as she succumbs to her fate, surrounded by various figures who seem to react differently to the event. The characters are dressed in classical attire, implying a timeless quality and adding to the mythological essence of the work.
The space is composed as an outdoor setting with classical architecture, featuring columns, steps, and distant buildings suggesting an ancient city. The distant background is painted in cooler tones, receding into the horizon and providing a stark contrast to the warmth and activity of the foreground drama. Light and shadow are masterfully employed to enhance the three-dimensionality of the figures and add a sense of depth to the composition.
Poussin’s “The Death of Sapphira” encapsulates the principles of Classicism with its clear composition, emphasis on order and harmony, and the portrayal of a narrative from classical antiquity or, in this case, a biblical event – the account of Sapphira from the Acts of the Apostles, who lied to the apostles about the proceeds of a property sale and was struck down by God. The artist conveys a powerful message about truth and consequences, reflecting the moral and ethical concerns of the time.
