“The Deposition,” crafted by Kent Monkman in 2014, emerges from the Postcolonial art and Classical Realism movements. This figurative and religious painting intricately intertwines classical themes with contemporary contexts, resulting in a profound narrative tableau.
The artwork depicts a street scene set against a backdrop of urban decay. Muted colors dominate the facade of a derelict building, over which a faded neon sign hangs, casting an eerie light. Two crows perch on the building’s overhang, adding a touch of foreboding to the otherwise desolate setting. In the foreground, a group of figures enact a dramatic scene reminiscent of classical religious art. They assist a limp, semi-clad individual, reminiscent of scenes of Christ being lowered from the cross, indicating a strong symbolic referencing. Surrounding the figures, the urban landscape unfolds, with modest houses and a parked vehicle suggesting a humble environment. The presence of animals—two dogs, one aggressive and one cowering—adds to the sense of struggle and tension within the piece. Monkman’s blending of classical elements with modern realism creates a poignant commentary on contemporary social issues.
