The Duc d’Orleans Showing his Mistress to the Duc de Bourgogne (1825 – 1826) by Eugene Delacroix

The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne - Eugene Delacroix - 1825 - 1826

Artwork Information

TitleThe Duc d'Orleans Showing his Mistress to the Duc de Bourgogne
ArtistEugene Delacroix
Date1825 - 1826
Mediumoil
Art MovementRomanticism
Current LocationThyssen-Bornemisza Museum, Madrid, Spain

About The Duc d'Orleans Showing his Mistress to the Duc de Bourgogne

The artwork titled “The Duc d’Orleans Showing his Mistress to the Duc de Bourgogne” is the creation of the esteemed French Romantic artist Eugene Delacroix, executed in the years between 1825 and 1826. This oil painting is classified within the historical genre of Romanticism and is housed at the Thyssen-Bornemisza Museum located in Madrid, Spain. The artwork emanates the emotional intensity and drama characteristic of the Romantic period.

Delacroix’s painting depicts a scene heavy with sensuality and political insinuation. In the artwork, two male figures are portrayed in an opulent room, their attire suggesting high rank and nobility. The Duc d’Orleans is seen presenting his mistress, whose reclining nude form occupies a central position on a lavish bed. She is partially draped with a fine white cloth that the Duc de Bourgogne, positioned to her right, appears to be drawing back to reveal her figure. The mistress’s posture and the soft rendering of her skin contrast with the richly adorned fabric and the dark, sumptuous environment, adding to the intense atmosphere of the scene.

The painting is imbued with the dramatic contrasts of light and shadow, a hallmark of Delacroix’s style, lending depth and psychological complexity to the subjects. The facial expressions and body language suggest an underlying narrative, as the Duc d’Orleans looks on with an almost detached demeanor while the Duc de Bourgogne’s intent gaze suggests a mix of curiosity and perhaps disquiet. The rich textural details bring to life the period costumes, allowing the viewer a glimpse into the nuanced interplay between power, seduction, and voyeurism that defines this provocative historical tableau.

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