“The Elevens Are Up,” created by Tony Smith in 1963, is a distinguished piece within the Minimalism art movement. The artwork, a sculpture, epitomizes the simplicity and geometric exactness characteristic of Minimalism.
The artwork features two large, imposing black rectangular forms set upright on a verdant lawn. Each form is stark, linear, and devoid of any embellishment, emphasizing pure geometric shapes and their spatial relationships. The tall, vertical structures create a sense of solemnity and intrigue, prompting viewers to consider the interplay between the forms and the surrounding environment. The sculpture’s minimalistic aesthetic brings forth a contemplative stillness, encouraging an appreciation of form, space, and the essence of simplicity.