The Holy Family with St. Elizabeth and John the Baptist (c.1655) by Nicolas Poussin

The Holy Family with St. Elizabeth and John the Baptist - Nicolas Poussin - c.1655

Artwork Information

TitleThe Holy Family with St. Elizabeth and John the Baptist
ArtistNicolas Poussin
Datec.1655
Mediumoil,canvas
Dimensions172 x 134 cm
Art MovementClassicism
Current LocationHermitage Museum, Saint Petersburg, Russia

About The Holy Family with St. Elizabeth and John the Baptist

“The Holy Family with St. Elizabeth and John the Baptist” is a classic religious painting completed around 1655 by the esteemed artist Nicolas Poussin. This oil on canvas work is an embodiment of the Classicism art movement, well-known for its emphasis on harmony, clarity, and restraint. The artwork, measuring 172 by 134 centimeters, is on display at the Hermitage Museum in Saint Petersburg, Russia.

The composition features the figures of the Holy Family alongside St. Elizabeth and the young John the Baptist. The central figures are arranged in a pyramidal structure that is typical of classical compositions, providing the artwork with a sense of stability and balance. The Virgin Mary is depicted seated, gracefully holding the Christ Child, whose tender interactions with a young John the Baptist add a human touch to the divine subject. St. Elizabeth, identifiable by her age and the white head covering, gazes up at Mary with evident veneration, while St. Joseph stands protectively to the side, draped in a voluminous cloak.

Poussin’s masterful use of light imbues the figures with a sculptural quality, highlighting the voluminous folds of their garments and softly illuminating their dignified facial expressions. The color palette is subdued yet rich, consisting of deep blues, velvety reds, and earthy tones that underscore the solemnity of the scene. Beyond the architectural framing elements on the right, a serene landscape extends into the distance, offering a glimpse of the sky and distant mountains, which contributes to the tranquility and sacred atmosphere of the artwork.

This artwork’s precise composition, controlled use of color, and the spiritual gravitas are emblematic of Poussin’s classicist approach to painting, seeking to evoke the eternal through the material canvas, and remain poignant examples of 17th-century religious depiction.

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