The artwork “The Judgement of Paris” by Paul Cezanne, painted in 1864, is an oil on canvas piece reflecting the Romanticism movement. Measuring 15 x 21 cm, this mythological painting is currently housed within a private collection. The scene depicted is based on the classical myth wherein Paris, a mortal, is chosen to determine the fairest among three goddesses: Hera, Athena, and Aphrodite.
The artwork presents a vivid and dynamic interpretation of this famous mythological event. Dominated by warm hues, the painting portrays the moment of decision-making, with Paris, often shown as a shepherd in the story, presumably positioned at the right side, extending his hand toward one of the goddesses. The central figure, likely representing Paris, is clothed, while the goddesses are depicted nude, indicative of the classical representation of divine beings.
The background is imbued with the blush of dawn or dusk, and the strokes suggest a rugged landscape — possibly Mount Ida, where the myth is set. Cezanne’s approach captures the sensuality and the gravity of the myth, with the body language and gestures of the figures reflecting the intensity of the narrative. Yet, there’s an impressionistic touch to his technique, the brushwork offering a sense of immediacy and movement rather than static perfection.
While the specific attributes that usually distinguish Hera, Athena, and Aphrodite are not overtly apparent, the three figures are posed in a way that captures the essence of a contest, with each one demonstrating a sense of confidence and divine elegance. The figure on the left might be reaching for a drapery, adding a sense of modesty or action. Contrastingly, the figure on the far right dwarfs the others and is backed by dark foliage, perhaps highlighting her importance or her stature in the contest.
Overall, this piece is a compelling rendition of a timeless story, rendered through the evocative Romantic style that emphasizes emotion and grandeur.
