The artwork titled “The King I” was created by artist Lenore Tawney in 1962. This piece falls under the art movement known as Post-Minimalism and is classified specifically within the tapestry genre. The tapestry showcases the artist’s distinctive approach to textile art, blending minimalistic aesthetics with a sense of complexity and depth.
This striking artwork features a vertical composition divided into two contrasting sections. On the left side, black fibers hang in a loose, somewhat chaotic manner, while on the right, beige fibers are more tightly woven and organized. The two halves are interrelated, creating a harmonious yet dynamic visual dialogue. The fibers extend from the top to the bottom, with both sections eventually tapering off into frayed and uneven ends. The black and beige elements contrast sharply, emphasizing the interplay between order and disorder, structure and spontaneity. This interplay of color and form reflects Tawney’s exploration of the boundaries and potentials of textile art within the context of Post-Minimalism.
