The artwork “The Little Trottin” was created by Henri de Toulouse-Lautrec around 1893. As an exemplar of the Art Nouveau movement, particularly its Modern branch, this poster not only serves as an aesthetic piece but also embodies the stylistic characteristics of the time. The Brooklyn Museum in New York City, NY, United States, is the custodian of this significant artwork.
In the artwork, one observes a monochromatic design dominated by bold contour lines. The composition features two figures, possibly promenading side by side. On the left, there appears to be a woman in profile, her head turned slightly, suggesting movement or conversation. She dons attire characteristic of the late 19th century, with her hair styled up, and a high-collared outfit that embodies the elegance of the period. To her right stands a man, his face mostly obscured behind her, yet distinguishably attired in a suit with a top hat, indicating a formality befitting of the era.
The text prominently displayed on the piece suggests a literary or musical production, referenced by the names Achille Mélandri and Désiré Dihau, likely the lyricist and composer, respectively. The bottom right corner bears a signature, presumably that of Toulouse-Lautrec, adding authenticity and provenance to the piece. The stark simplicity of the composition, the focus on line, and the lack of superfluous detail are hallmarks of the Art Nouveau tendency to emphasize a graphic and stylized aesthetic. This poster is not only a work of art but an important historic document reflecting the confluence of visual art and performance arts during its time.
