The Man Made Mad by Fear (c.1843 – c.1844) by Gustave Courbet

The Man Made Mad by Fear - Gustave Courbet - c.1843 - c.1844

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Artwork Information

TitleThe Man Made Mad by Fear
ArtistGustave Courbet
Datec.1843 - c.1844
Mediumoil,canvas
Art MovementRomanticism
Current LocationNational Gallery, Oslo, Norway

About The Man Made Mad by Fear

“The Man Made Mad by Fear” is an evocative work by Gustave Courbet, crafted circa 1843-1844 through the medium of oil on canvas. This artwork, which falls under the genre of portrait, is a prime example of the Romanticism movement. It is currently housed at the National Gallery in Oslo, Norway. Courbet, an influential French painter, was known for his leading role in the Realism movement, yet this piece reflects the emotion and individualism associated with Romanticism.

The artwork portrays a figure, likely male, who appears to be captured in a moment of intense emotional distress or fear. The subject’s gaze is directed outward, possibly at an unseen threat or vision, conveying a sense of immediacy and engagement with whatever has provoked his terror. The figure’s mouth is partially open, as if mid-exclamation or breath, and his eyes are wide, emphasizing his alarmed state. He clutches his head with one hand, further reinforcing the theme of psychological disturbance.

The subject is seated on a rocky outcrop, which contributes to a sense of instability or precariousness that echoes the emotional disarray depicted. His attire, consisting of a striped shirt with contrasting sleeves and dark trousers, is disheveled, perhaps mirroring his mental state. The background is a landscape, with a bright sky above and hints of greenery beneath, suggesting that this scene unfolds in a natural, outdoor setting. The use of light and color contrasts the relative calm of the environment with the turbulence of the sitter’s experience.

The painting’s brushwork is loose and expressive, characteristic of Courbet’s style, and it serves to convey a sense of movement and raw emotion. This piece is an intriguing deviation from Courbet’s typical subject matter, offering a glimpse into the deeper reaches of the human psyche and the Romantic fascination with the sublime and the irrational tenets of human experience.

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