The Meeting of Sts. Dominic and Francis of Assisi (1434 – 1435) by Fra Angelico

The Meeting of Sts. Dominic and Francis of Assisi - Fra Angelico - 1434 - 1435

Artwork Information

TitleThe Meeting of Sts. Dominic and Francis of Assisi
ArtistFra Angelico
Date1434 - 1435
Mediumpanel,tempera
Art MovementEarly Renaissance

About The Meeting of Sts. Dominic and Francis of Assisi

“The Meeting of Sts. Dominic and Francis of Assisi” is a notable religious painting from the Early Renaissance period, executed by the Italian artist Fra Angelico between 1434 and 1435. The medium of the artwork is tempera on panel. The genre of this piece is religious, depicting a significant encounter between two influential saints of the Christian faith. Fra Angelico is known for his devout spirituality and his contributions to religious art during the Early Renaissance, a time of renewed interest in classical learning and values, which also saw the incorporation of more naturalistic elements into art.

The artwork illustrates the legendary meeting between St. Dominic, the founder of the Order of Preachers (Dominicans), and St. Francis of Assisi, the founder of the Franciscan Order. This encounter symbolizes the unity between the two mendicant orders, which played an important role in the Christian church during the Middle Ages. The composition of the painting guides the viewer’s eye towards the center, where the two saints are greeting each other by clasping hands, an act that signifies their mutual respect and common purpose in serving the Christian community.

Both St. Dominic and St. Francis are depicted with halos, indicating their sainthood and divine favor. Surrounding each saint is a group of their respective followers, characterized by the specific habits of their orders: the Dominicans in white and black, and the Franciscans in simple brown robes. The architectural setting suggests a church or monastery with an arched cloister, emphasizing the sacred nature of their meeting. The artwork is a testament to Fra Angelico’s ability to convey deep religious themes with simplicity and grace, typical of the early stages of the Renaissance.

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